Right after I graduated with my BA in 2004, I traded my history and literary texts for books on creative writing. I went to the public library and returned home with a stack of books bearing (embarrassingly typical) titles, like How to Write Your First Novel, So You Want to Write, and 101 Ideas for the Beginning Writer.
I was determined to pursue my first love, to immerse myself in a hobby I had long denied myself (well, since starting post-secondary education), and I had the romantic notion that I would create magical worlds peopled by characters from my imagination.
Then I started to write. And, to quote Anne Lamott, “I wrote terrible, terrible stories.”
Actually, most of them weren’t even stories. They were just beginnings with no middle nor end because I had a hard time figuring out what to do with the characters.
W.P. Kinsella once said that novel writers have to constantly ask themselves, what next, what next, what next? I was tripped up by the very first what next: I simply didn’t know what to inflict on my characters. I think I even penned a story like this once, in utter disgust at myself and cynicism at my so-called love of writing: “Once upon a time, they lived happily ever after.”
After about a year of writing terrible beginnings, premature half-starts that never developed into (even bad) novels, I returned all my library books and stopped trying to write. Clearly, I concluded, I wasn’t meant to be a writer. Because a real writer, I’d decided, was one who could write fiction, who could make up stories at the drop of a hat – without, of course, any torturous agonizing.
(It didn’t dawn on me then that even seasoned fiction writers find writing to be grueling work, requiring a lot of practice and, like any discipline, involving a none-too-healthy quantity of blood, sweat, and tears. Nor did I yet realize that there are many kinds of creative writers out there, not only novelists, including those who write creative non-fiction.)
Well, since novel writing hadn’t worked out, I decided to dust off other passions, one of which was French. As I was working at UBC at the time, I had the chance to take a number of university courses for free. So I enrolled in French 111 in the fall of 2006.
French was one of those courses that I loved in high school. And also one of those courses that my Pragmatic Self said I shouldn’t take when I was an undergrad at UBC – because, well, “What could you possibly do with that?” (I was not very fond of my Pragmatic Self.)
No longer an undergrad preoccupied with student fees nor enslaved to practical coursework, I could now indulge in French courses. And the first one of five that I subsequently took reminded me why I enjoyed learning the language so much.
The very first composition assignment that my French 111 T.A. gave us was a simple one: Write about a shopping experience, about something you have to buy and where you would buy it. I think we were learning vocabulary and phrases related to the theme of shopping at the time.
Some people wrote about buying books; others about buying clothes.
I decided to write about buying happiness.
The idea came to me on a bus ride. A girl wonders if she can buy happiness. She sets out on a shopping expedition to find out. The answer is not what she expects. That’s the premise.
The entire ‘plot’ of the (very short) story came to me during the 40-minute bus ride to work, right down to the ending. I started to jot down sentences feverishly on scraps of paper in my bag. It was a strange experience, because for the first time, I was excited and giddy (instead of tortured and agonized) about a tale in my head, and full of ideas for what might happen next to the main character.
The energy and elation I felt in this context were foreign to me – and made doubly so because of the fact that I was thinking the story through in another language. It was a complete mystery to me – and still is - why, in my broken, limited French, I wrote with greater ease and had more ideas than I had ever had when I tried writing stories in English.
That evening, I got home and typed up the story. It’s no masterpiece, just a “petite histoire” that came to me during a prosaic bus ride. But I’ve never forgotten the experience. And I hope that it’ll happen again, one day (preferably in English), when I’m ready to try to write stories again.
This is how the “histoire” went.
* * * * *
Où est-ce qu’on peut aller si on veut acheter le bonheur? C’est une question qu’une jeune femme qui s’appelle Celine pose un jour. Elle va à beaucoup de magasins ce jour-là pour trouver une réponse.
Les vendeurs de ces magasins qu’elle visite sont perplexes quand elle leur dit, “Je veux acheter le bonheur. Où est-ce que je peux le trouver dans votre magasin?”
Certains vendeurs pensent qu’elle est folle mais les autres donnent des réponses créatives. (Ils espèrent vendre des choses chères et ils pensent que Celine a l’air naïve et impressionable.)
La vendeuse dans un magasin de vêtements dit à Celine, “Nous avons beaucoup de robes chices. Si vous les achetez, vous achetez aussi le bonheur.”
Le vendeur dans une boutique qui vend des chaussures lui dit, “Vous voulez acheter le bonheur? Regardez. Ce sont les nouveaux créations de Jimmy Choo. Ses chaussures sont à la mode. Beaucoup de célébrités portent ses chaussures. Ces boites-ci contiennent tout le bonheur dans le monde!”
Même le patron d’une pâtisserie lui dit, “Vous voulez acheter le bonheur? Très simple. Achetez mon gâteau au fromage – il est très delicieux – et vous saurez le bonheur véritable!”
Malheureusement (où peut-être heureusement), Celine n’est pas persuadée. Elle ne dépense pas d’argent. Finalement, elle décide à rentrer chez elle. Elle est fatiguée et elle se rend compte qu’on ne peut pas acheter le bonheur. Mais puis…qui est-ce qu’elle voit devant le grand magasin? Il y a une petite fille d’environ dix ans qui pleure.
“Pourquoi est-ce que tu pleures, ma petite amie?” Celine lui demande.
“Parce que j’ai perdu mon argent aujourd’hui, Mademoiselle, et demain, c’est l’anniversaire de ma mère. Elle est dans l’hôpital parce qu’elle est très malade. Je veux lui acheter un cadeau mais maintenant, je n’ai pas d’argent.”
“Je suis désolée! Qu’est-ce que tu veux lui acheter?”
“Son parfum préféré. Il s’appelle Happy par Clinique.”
“C’est parfait!” Celine s’exclame.
“Quoi?”
“Rien. Je comprends l’anglais aussi – c’est tout. Allons-y!”
“Mais où est-ce que nous allons?”
“Nous allons acheter le Happy.”
“Mais, mademoiselle, j’ai perdu mon argent. Je n’ai plus d’argent.”
“Pas de problème! Est-ce que je peux t’acheter le parfum? Je serai très heureuse de te faire ce petit geste.”
“Oh…vous êtes très aimable! Merci mademoiselle!”
Alors, ce jour, Celine retourne chez elle avec le bonheur dans sa coeur. (Elle sent heureuse aussi parce qu’elle a essayé le parfum Happy par Clinique dans le grand magasin avec la petite fille).
Celine conclut que c’est possible, après tout, d’acheter le bonheur.
